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E.J.

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  • Light Reading JoAnn's Fabrics over on Francis (here's the Google place page) has the Ottlite 25W Hyde Park Floor Lamp for $75 (not the $90 featured on the linked product page), marked down from the original $150. I don't know what accounts for the price drop (discontinuation? sympathy during these difficult economic times?) other than that it's a "clearance" item; JoAnn's looks like the only place that sells this model.

    At any rate, it's a great price for a great reading lamp. There's a whole "Reader's HD" gimmick slapped onto this Ottlite model, because High Definition seems to be the "New and Improved!" unit-shifter sticker for the 21st century, but the type of illumination from the included bulb —"a precise blend of wavelengths," gushes the box blurb — really does make a difference relative to ordinary bulbs. It's a cooler, brighter, whiter light than the usual warm, yellow light, and it makes text appear much more crisp on the page.

    I wouldn't say that the specialized light is particularly conducive to more casual activities such as Web surfing or chatting with company, so it's not an all-purpose standing lamp. But for a dedicated reading spot, the Ottlite is ideal. I read for a solid hour yesterday evening and quite enjoyed the change and the contrast.

    Of course, if the reading-specific light doesn't suit you, the bulb can always be swapped out for a different one and you've still got yourself a nice, classic-looking lamp for a reasonable price.

    I'm not sure how long the sale on this item at JoAnn's is going to last. I seem to recall August 28 as the final date, which only leaves 48 hours to hotfoot it over there. If anyone picks one up, I'd be interested to hear their take on it.

  • Moveable Type: RiverSpeak Calls for Submissions RiverSpeak (aka RiVerSpeAK and Riverspeak) isn't just in need of a house style. It's also in need of submissions for its Kinetic visual arts tour and accompanying 'zine. The tour will be taking place on October 1 and 2, and the theme, as the title would indicate, is based around motion.

    The call for writing submissions comes in addition to those for display art, illustrations, and music. RiverSpeak is accepting all forms of literature — poetry, fiction, nonfiction, and heartwarming tales of a beloved family member who fought a terrible disease and lost, which inspired you to overcome your vices/handicaps/circumstances and write a memoir — and asks only that it have something to do with kinesis.

    The limit is 1500 words or two poems per person; pieces can be illustrated but it must be noted and submitted accordingly. Acceptable file types: .doc, .rtf, and .txt, but none of that newfangled .docx, which Microsoft still hasn't been able to get the general public to adopt en masse. Maybe they should team up with Facebook.

    All submissions can be uploaded here. The deadline is Saturday, September 11.

  • Shrinking Violets News: September Meetup & More Here I sat, drumming my fingers and waiting for the announcement of the whens, whys, and wherefores of the Shrinking Violets' September book club meeting to appear in my inbox (or in their website's RSS feed) for posting on the SBB.

    Then I came to the depressing realization that no one uses e-mail or visits ordinary Web pages anymore; everything takes place within the dystopian cocoon Facebook, and the details of the September meetup were posted there nearly a week ago. Good thing the SBB now has a Facebook page to be a part of all the action. Now if only I could divine anything useful from the muddle of text and pictures and comments and events that Facebook calls a "Wall."

    The September read, as mentioned several times before, is Teri Hein's Atomic Farmgirl, and the event will take place at the Little Garden Cafe near Audubon Park (directions and further info here) on Sunday, September 19. It'll start at 1pm and, if last month's meeting is anything to go by, will run until about 3:30 and will involve talk of Red Lobster.

    In my recent summary of the August book club meetup, I didn't want to jump the gun on the announcement of future reads, but the Violets have now made them public, so they're fair game:



    If you're interested in adding your two cents to how the book club operates — that is, monthly meetings with a new book each month — the September meetup will be a good time to do so. RSVP on their Facebook event page.

    Also, this weekend the Shrinking Violets will be focusing on creating rather than consuming. Budding authors and moonlighting poets are encouraged to head down to Coffee Social on Sunday, August 29 at 11am for the Shrinking Violets Creative Writing Group. Advice, constructive criticism, feedback, idle chatter, and writing exercises are planned; they only ask that attendees bring a laptop and/or a notebook and writing implement.

    More about the event, including contact info, is here (on Facebook, where else?). Please let me know if any of the Facebook links require a login or are somehow inaccessible and I'll report any missing details here.

  • SBB Is Now on Facebook It's with great ambivalence, tremendous resignation, and equivocal delight that I make the following announcement:

    The Spokane Books Blog is now on Facebook.

    I won't make a secret of the esteem in which I hold Facebook and everything it's come to represent, but I acknowledge the reality that for many folks it's the site that constitutes or even mediates a good portion of their online experience. Any refusal on purely personal grounds to establish and maintain a Facebook presence for the SBB simply meant that fewer people were either able or willing to throw in their two cents — even if it's just to click that inane "Like" button; though I'm sure the absence of blind cheerleading in most posts here would see just as many people clicking a "Dislike" button if there were one. That input, however minor, is invaluable, and keeps this from being a bully pulpit. The primary reason this blog exists is to elicit and foster discussion on Spokane's (real or potential) lit scene.

    So: Like the SBB. Friend the SBB. Play Farmville with the SBB.

  • Shrinking Violets August Book Club Wrap-Up A grand total of five of us met yesterday afternoon at the recently relaunchedCoffee Social (their "Piledriver" is one heck of a brew) to discuss David James Duncan's The Brothers K. This was about twenty heads less than I'd gone in anticipating, but I've been told by more than one person that August, in addition to being a slow news month, is also a notoriously difficult month to bring Spokanites together. Their loss.

    The novel itself was generally well received by the group. One member chose to listen to it on audiobook; the other four went the traditional print route via the library, Auntie's, or eBay. The majority of us didn't finish the novel — not exclusively for want of interest, though that was partially true in one or two cases. My own excuse, which sounds a bit like "the dog ate my homework" variety, is that I ordered the novel online as soon as it was announced only to have it arrive last Wednesday, and in the time that remained I managed a commendable but less than stellar 50 pages per day. The Brothers K certainly isn't going to go down as one of my all-time favorites, but I like it enough to continue to persevere until page 650, the point at which everything looks as if it's all going to wrap up nicely.

    The book wasn't the only thing that fell under discussion, and in the two-plus hours we'd been self-allotted, we also managed to foray into the usual volatile mix of religion and politics. Both of which, as it happens, are strong themes in The Brothers K, and so, in a circuitous way, we still kept coming back to the book no matter how far away we seemed to drift.

    The September read is still Teri Hein's Atomic Farmgirl, and its date and location are still TBA. I'll post more when I know more myself.

  • Where It's At: Even More Authors at River Park Square There's more than just Auntie's grand opening going down at River Park Square. There's also a "meet the author" event taking place a couple of yards down from the bookstore; it's hosted by Made in Washington. Local authors — all of whom have books with Spokane-based publisher Gray Dog Press — will be available for chat as well as selling and signing books.

    The event has been going on since last Thursday (sorry, I just found out about it yesterday) and will continue until this coming Wednesday, August 18. It runs from 11 to 2pm every day across from the Made in Washington store on the second level of the mall.

    Featured authors include Penelope Rundle, author of Last Caravan: Touring Afghanistan During the 1978 April Revolution, who appeared last Friday; John Heffernan, author of Not One Drop of Blood: The Human Side of Prison Versus Probation, on August 16 and 17; Bob Manion, author of The Treehouse and Santa's Heroes, from August 16 to the 18; Sharon Cramer, who wrote the Cougar Cub Tales series; and James Parry, author of Book All the Teachers!, who's going to be attending the event for its entire duration.

    Questions? Call Jennifer Lakey on (509) 534-0372.

  • Auntie's Has Moved So You Don't Have To No, no. We know you're terribly busy and awfully tired. Don't worry about putting any additional miles on your mobility scooter. There's now an Auntie's location in River Park Square. You can nip in once you're done stocking up on bedsheets at Macy's or hat stands at Restoration Hardware; no need to trek those many, many — okay, three — blocks to buy Eat Pray Love in paperback because Oprah told you to.

    In all sincerity, though, I was skeptical of Auntie's decision during such straitened economic times to branch out into the exact same spot where a previous bookstore had failed, but I remain supportive, even if I can't suppress the sarcasm altogether. So I popped in yesterday to check out their grand opening celebrations and marvel at what's supposed to be a "microcosm" of the iconic standalone store. Plus I had a Groupon burning a hole in my pocket, and even better, Jess Walter (along with, though not alongside, Patrick McManus) was going to be there signing books.

    Auntie's at the Square


    There isn't a heck of a lot to say about Auntie's at the Square other than that it's a bookstore. It's painted darkish yellow and there are, as you'd hope and even expect, books on the blue-gray shelves. Kids' stuff in the back, some magazines on the side, bestsellers and new releases stacked or propped on tables in the front. No place to sit. No charm, nothing distinguishing. In a word, nondescript.

    So nondescript, in fact, that seeing the store brought me right back to the question I posed indirectly some weeks back: What's the point of Auntie's at the Square?

    The trio of staff, though polite and good natured, regarded my inquiries along these lines with increasing suspicion. Or irritation. I was told they're going after a "totally different demographic" — that demographic being (in a paraphrasing that is wholly my own) the lazy shopper/casual reader who can't or won't hoof it a couple of yards to the main store to pick up a new fart book. Auntie's was also given "a great deal" on the location and, according to one staff member, the bookstore's presence was one of the most requested in River Park Square (I didn't ask by whom).

    This exchange took all of ninety seconds, but by the end of it, I felt as though I were making my own presence in River Park Square especially unwelcome. Which wasn't altogether desirable: I hadn't even had the chance to get my autographed copy of The Financial Lives of the Poets yet.

    Jess Walter signing books


    When Walter arrived promptly at 4pm, a small cluster of about ten folks formed. I was anticipating the proceedings to be elbow-to-elbow, which is why I got there a few minutes early, but there was almost no one in the store when I arrived and, once the hit-and-run autograph crowd dissipated, there weren't many shoppers left.

    At checkout I asked the staff member I hadn't bothered earlier whether or not the opening day had been busy. I got a nod and a noncommittal yes. These gestures were accompanied by a split-second glance around the store that seemed to acknowledge that the evidence at that particular moment in time might not be entirely supportive of that assertion.

    This, incidentally, isn't too far from what that split-second glance might have encountered:

    Auntie's at the Square


    Still, maybe I shouldn't be surprised that the joint wasn't exactly hopping during the half-hour that I was there. It was a sunny Saturday afternoon on which the Garland Street Fair and the American Legion World Series were taking place across town, and Auntie's at the Square is, after all, a bookstore offshoot. How many people — even die-hard book fans — go nuts over offshoot bookstore openings? Yet I was nevertheless disappointed by both the overall and specific turnout (incidental question on that note: did Auntie's do enough to get the word out about the book signings?), as well as the lack of palpable excitement over the fact that the loss of Children's Corner didn't lead to a complete literary void, even if it's hard to imagine making a trip to such a bland bookstore for any reason other than its coincidental proximity.

    Perhaps the mistake I'm making here is to expect the general public to match my enthusiasm and curiosity toward this sort of thing. But then, isn't the general public the store's target demographic? Isn't it the general public who Auntie's at the Square is expecting to keep it afloat? Here's hoping such concerns are unfounded.

  • Jonathan Franzen on Time: The Best We Can Do? There's been much, much, muchmade of the fact that Jonathan Franzen appears on the cover of the latest issue of Time. Not because it's Franzen, but rather because he's the first living author to be featured on the cover of the magazine in a decade.

    Jonathan Franzen on TimeThe absence of a living novelist's mug from the front of one of the most widely read and influential American news magazines on speaks to a topic I've addressed here briefly before, namely, the low esteem in which authors seem to be held here in America and the lack of importance placed on substantial literature as an end in itself. To give a quick example that hits particularly close to home, every street running north/south in my neighborhood is named after a president, which must have taken place during a fit of bold originality on the part of the town planners, but I haven't seen any in all of Spokane named in honor of any area cultural figure — artist, musician, author, architect, cartoonist, poet. And that includes local darling Bing Crosby. (Please enlighten me if there's one I've overlooked. I'd be happy to have my search proven too cursory. And, yes, I have taken into account that most parts of America didn't have much regional history to draw on when the streets were being named.)

    Back to Franzen: I wouldn't argue that he isn't one of today's literary heavy hitters. His books are somewhat ambitious, deemed important by the trendsetters and talk shows, and in addition to the usual cast of book pundits they do pull in the sort of readers who usually only read on airplane journeys that last longer than an hour. But if authors are going to be fêted just once a decade, is he really the best we could put forward? Or do readers simply have to be thankful for the small victories?

  • Hating on Amazon and Hearting Amazon I'm not sure if Alternet is using controversy to fish for clicks, or if their loathing of Amazon.com stems from their customary knee-jerk response to anything that whiffs of Walmartification, but an article with the understated title, "How Amazon Kills Books and Makes Us Stupid" by Colin Robinson was posted there yesterday (via The Nation, where it was initially titled with a bit more reserve, "The Trouble with Amazon"). It focuses on two things: Amazon's cut-rate book pricing (which is apparently killing books) and its wide selection (which is apparently making us stupid).

    Amazon's discount pricing, argues Robinson, is bad because the online shopping giant uses its clout to take publishers hostage. Amazon's strong-arm tactics extort better wholesale prices from publishers, and customers are clearly attracted by those low prices, which in turn gives Amazon more power to demand exclusive relationships even lower prices from publishers. For example:
    "John Sargent, head of Macmillan, [...] home to many authors [...] including Naomi Klein, Noam Chomsky and Barbara Ehrenreich, [...] confronted Amazon over its insistence on setting the prices of e-books it sold on its site, generally at under $10. This was a concern throughout an industry worried that low prices of electronic versions would undermine profits from printed books and generally lower the perceived value of the product.

    Amazon reacted with characteristic distemper: bye-bye Macmillan's buy buttons." (Buy buttons, incidentally, are nothing esoteric. They're simply the buttons that read "Buy" or "Buy now" when viewing an Amazon item.)
    And as for the issue of selection:
    "Many would argue that the efflorescence of new publishing that Amazon has encouraged can only be a good thing, that it enriches cultural diversity and expands choice. But that picture is not so clear: a number of studies have shown that when people are offered a narrower range of options, their selections are likely to be more diverse than if they are presented with a number of choices so vast as to be overwhelming."
    Both of these forces work to keep otherwise noble publishers on their knees and to knock down independent bookstores like so many bowling pins. Right?

    As with so many controversies, I don't view the emergence of Amazon in black-and-white terms. There's a bit of truth to both sides of the debate. The idea that, before Amazon came along, publishers and booksellers existed in a world of absolute fairness and harmony, one in which they took turns sipping rainbow nectar between unicorn rides, is simply ridiculous. If anything, Amazon has taken publishers' self-importance down a notch or two and restored a small amount of power to booksellers — both online and brick-and-mortar.

    Speaking as an avid reader, for me Amazon's selection, pricing, and convenience are appealing. I love visiting bookstores for all the obvious reasons, but when I have a single book in mind and don't want to pay through the nose for it — keeping in mind that bookstore-bought books are rarely discounted from their cover price, and, like Amazon here in WA, they get hit with tax to boot — Amazon has typically been my bookstore of choice. For another round of incentives, my credit card also gives me triple points for shopping at Amazon, points which then net me more stuff at Amazon. It's hard to turn all those extras and freebies down. Plus their customer service is insanely good.

    But I won't say that Robinson doesn't have a point. It's easy to focus on the low cost of Amazon's books and overlook the fact that paying full price at, say, Auntie's or even Barnes & Noble helps those bookstores to host events that cultivate a local reading community. And it's true that brick-and-mortar stores continue to struggle against the convenience and selection of online booksellers — not just Amazon but Alibris and ABEbooks too.

    Not all of Amazon's behavior has sat well with me personally, either. The whole 1984 Kindle fiasco comes to mind, and, almost one year on to the day, it's enough to make me shudder. Still, they haven't become anything like despicable, or done anything to the point that would make me stop shopping there or making use of their affiliate links.[*] Yet it's worth mentioning that, sinister aspects of digital media aside, Amazon did wonders for the eBook market, which was struggling to make much of an impact before the Kindle came along.

    The comments to the Alternet-posted piece are worth reading, mainly because so many of them come to Amazon's defense (surprising, that is, given the predominant anti-corporate-hegemon stance of many Alternet readers, myself included). Which raises another question: Has Amazon succeeded in making allies of those who would otherwise oppose it simply because it predominantly deals in something "good" like books?

    Anyone from Auntie's or another indie bookstore have something to add? Am I missing something nefarious? Please, if you've got a stance on the matter, chip in.

    ----------
  • A brief footnote on Amazon affiliate links, which I've felt that I ought to address ever since this tweet rolled in. The bottom line is, I often use them when linking to specific titles. And if ever I were to generate a single cent of incidental revenue, I'd consider it a small and welcome compensation for the modest amount of time I put into this blog. As a show of local solidarity, I have, however, toyed with the idea of linking to Auntie's virtual shelves instead, and may do so at some point in the future.

  • Today's Groupon: $10 off $20 Worth of Books at Auntie's In the rare and unlikely event that you're not following the SBB Twitter feed, it's worth mentioning that today's Groupon is a coupon for $10 off $20 worth of books (or other merchandise, I assume) at Auntie's Books. You can buy up to four additional coupons to gift to whomever you like, and the coupons are valid until January 16, 2011. Usually such hefty discounts are accompanied by restrictive terms of use — not so in this case.

    What's more, the cashback site FatWallet announced today that users new to Groupon get 5% back on their purchase; existing Groupon users get a more meager 1% discount. So those $20 of books will only cost you $9.50 or $9.90, respectively.

  • Jess Walter Abroad Financial Lives of the PoetsJust noticed — thanks to the heads-up given by Penguin UK's press bulletin — that Jess Walter is going to be touring the UK in late August to promote the paperback release of The Financial Lives of the Poets, a novel that Nick Hornby said made him "laugh more than any other book this year." (We can therefore surmise that nothing by Glenn Beck was on Hornby's 2009 reading list.) Penguin is billing Walter as "one of America's sharpest writers;" and though I know press bumf tends toward the hyperbolic, it's still a nice compliment by association for Spokane.

    I'd be interested to know how Walter has generally been received abroad and in the UK in particular. The Amazon.co.uk page for Financial Lives in hardcover has no reviews at all. I can't find any coverage of him going back a few years in the TLS, and the online Guardian has just one mention: this piece from 2006 that questions the perspicacity of an editor who championed his novel The Zero (in terms of O.J.'s appalling pseudo-confession, I hasten to add, not Walter's work). Any UK visitors to the SBB with some knowledge of Walter are encouraged to chime in. Those in the know have been notified.

    (Ah, hold the press. I just came across this fulsome review from TheBookBag.co.uk. But that's well and truly all I could find when it comes to UK coverage.)

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